Haiku: The Art of Japanese Poetry — Part.2

Omar Velarde
5 min readAug 19, 2020

Last week, I shared a little bit about the history of haiku and the evolution of its structure. We talked about its father, Matsuo Basho, and how he sought beauty in every small detail of life. Every detail of our surroundings, no matter how small, can create a beautiful piece of haiku.

Semi tsui ni. Shippu no naka. Koe wo tatsu. | In the gale. A cicada shrills. Finally. — Yamaguchi Seishi (1901~1994)

Before we begin writing our own haiku, let’s get familiarized more with its structure and the key components that make it a haiku: kigo and kireji. Later, we will talk a little more about Bashou and his banana leaves.

Structure

Traditionally, haiku consists of three lines divided into syllable sets of 3–5–3 or 5–7–5. It is important to note that, compared to Western poetry, these short poems do not necessarily need to rhyme. Haiku shows a deep side of the physical world by taking a deep look at its very existence and leaving a strong feeling or impression on the reader. There are two essential components to a haiku: the use of kigo and kireji. Let us take a look at what these two components are and how to use them.

Kigo

Haiku are recognized for their shortness and their structure. Many of them describe nature and its events — simple things portrayed beautifully. Whether they are talking about nature or thoughts and feelings, haiku usually includes a ki (season) or a kigo (season…

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Omar Velarde

Hospitality and marketing background. Art and design enthusiast. Lover of folklore and mythology. Kpop junkie. Hooman bean writing for fun to share my views.